| |

CAA Exhibitions

ARTIST RESIDENCY CHINA — ZHEJIANG, no. 30

CAA

The China Academy of Art thesis exhibitions are extensive. The school provides rigorous instruction in a full spectrum of degree programs on three campuses. The school was founded in 1928 as the first art university and first graduate school in Chinese history. CAA is under the direct management of the Ministry of Culture. Despite the large quantity of work we viewed in a three hour visit, it was only a small selection of the total graduate student exhibitions on the Xiangshan Central Campus.

CAA

oil painting installation, approx 12×12 per piece

CAA

oil painting installation, approx 12×12 per piece

CAA

CAA

light fixture, printed & perforated paper

CAA

paper light fixture, printed & perforated — supporting materials

CAA

CAA

CAA

installation after Jan Van Eyck’s Arnolfini “Wedding” Portrait

CAA

CAA

installation after Jan Van Eyck’s Arnolfini “Wedding” Portrait — supporting images

CAA

installation after Jan Van Eyck’s Arnolfini “Wedding” Portrait — lunch break

CAA

installation of throne chair, silk paintings & calligraphy

CAA

porcelain with installation of throne chair, silk paintings & calligraphy

CAA

CAA

CAA

ceramics & wood

CAA

CAA

China Academy of Art, Xiangshan campus — designed using “the “free” concept… sensitive response to the site and nature,” architects Wang Shu, Lu Wenyu

. . . . . . . . . . . . . . . . . . . . . . .

To see all blog posts in this topic, select tab above marked TRAVELS > CHINA.

Save

Similar Posts

  • | |

    Scary Anatomy Museum

     ARTIST RESIDENCY CHINA — ZHOUZHUANG, no. 42 Another thing that I did not understand, in addition to the legend of Wansan pork hock and the location of tea plantations, is why on the return trip from Zhouzhuang to Shanghai our next stop was The Museum of Mystery of Life. The bus group disembarked at a warehouse-style building. Tickets were arranged and a guided tour began, this time entirely in Chinese. The first exhibit of a…

  • | |

    Shanghai Museum

    ARTIST RESIDENCY CHINA — SHANGHAI, no. 44 The Shanghai Museum is one of several significant institutions within The People’s Park in downtown Shanghai. It contains an insanely sumptuous collection. No material escapes the expressive form and skill displayed by the Chinese and Tibetan people at the highest level of expertise: cloth, bead, wood, jade, gilt-brass, ink, paint, paper, ceramic, stone, bronze. The few samples here do not include items that are difficult to photograph through…

  • | |

    Yiheyuan—New Summer Palace, 2

    ARTIST RESIDENCY CHINA — BEIJING, no. 7 The commanding center piece of the symmetrically designed Yiheyuan — New Summer Palace — in Haidian, Beijing, is the Buddhist Temple on top of the precipitously steep Longevity Hill overlooking Kunming Lake. The hill was augmented with excavation of the entirely man-made lake. Photography only serves to mislead regarding the actual contrast of scale, compression and expansion of space, and extremely large quantities of color and ornamentation. central…

  • | |

    Yonghegong

    ARTIST RESIDENCY CHINA — BEIJING, no. 10 Yonghegong is an active and well-attended Tibetan Buddhist Temple in Beijing. Built in 1694 as an imperial residence, it was converted to a lamasery in 1744. Worshipers offer gifts of money, food, large paper flowers, and complementary incense provided at the entrance. As with other sites in Beijing, it is meticulously restored and enormous, with five central halls containing countless carved, painted, and bronze aspects of Buddha. The…

  • | |

    Houhai Hutong

    ARTIST RESIDENCY CHINA — BEIJING, no. 24 Beihai North subway station entrance was the first place I stepped outside in the city the first week in Beijing on my way to art openings further down the line. Across the street an imposing antique building made me wonder what it was. Plastic wrapped young women sold tours in the rain. Identically hatted tourist teams disappeared into worryingly maze-like narrow alleys. On the last day after a…

  • | |

    Tiāntán

    ARTIST RESIDENCY CHINA — BEIJING, no. 12 Emperors and retinue of the Ming and Qing dynasties used Tiāntán — Temple of Heaven — annually to perform complex and lengthy ritual ceremonies for the worship of heaven to insure a year of good harvest. The circular wooden altar has been rebuilt many times. It was occupied, damaged, and looted by the Anglo-French Alliance in the 1850s, again by the Eight-Nation Alliance in 1900, and burnt to…